Off-camera, the actress’ wardrobe consists of her iconic black turtlenecks and capri pants (then known as pedal pushers). The costumes were a study in contrasts: There was the private, day-to-day Norma Jeane Mortenson (her given name) and the Hollywood sex symbol Marilyn. What is amazing is the film gets into her inner psyche, and you will learn more than you thought you knew.” “I thought I knew her, but when I read the script, the book, and started the research, I discovered a whole new side of her. “I wanted to get into the day-to-day, off-duty Norma Jeane and explore what felt the most authentic to her,” says the designer. Taking her cues from Joyce Carol Oates’ novel of the same name and Dominik’s script, Johnson’s goal was to convey the inner workings of the iconic screen siren (played by Ana de Armas) through the costumes. For an offscreen Monroe look, Jennifer Johnson remade capri pants found at L.A.’s Palace Costume.
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